Showing posts with label olympus. Show all posts
Showing posts with label olympus. Show all posts

Saturday, March 31, 2012

What do Pentax, Sony, and Olympus DSLRs offer that differs from Canon and Nikon?

Question

We have a question and answers outlining the significant differences between the "big two" DSLR brands. I'm interested in the other DSLR makers, and how the cameras they make compare in terms of significant features, system design philosophy, and unique or interesting photographic capabilities enabled or made easier by these cameras. Likewise, what such things are not handled as well?

Take "the big two have more market share" and the associated advantages of availability, accessibility, and third-party support and documentation as a given.

I'm not interested here in compact cameras, interchangeable-lens cameras with electronic viewfinders, or in rangefinders.

I know Olympus is primarily focused on the mirrorless Micro-Four Thirds, but they still have current models in the E series. Likewise, while Sony seems focused on the pellicle-mirror SLT line (which uses an electronic viewfinder), the a900 is still a traditional DSLR.


P.S.: Differences in lens lineups are covered at How much do lens lineups vary across platforms?

Asked by mattdm

Answer

As these camera makers own a smaller market share than Canon or Nikon, they have often tried more radical and innovative approaches than the big two. You can see both Canon and Nikon as more traditional makers with very consistent and proven features in their cameras.

  • When Sony bought Konica-Minolta's camera division, they inherited the only body-based stabilization system which they currently use in all their DSLRs and SLT cameras. Pentax and Olympus actually followed with their own version of the same.

  • In-body stabilization is the most significant difference between these brands and the big two as it stabilizes all lenses at no additional cost. There are some discussions regarding which type of stabilization is better but this is not only a cost saving feature (since you do not have to buy stabilization which each lens) but also an enabling feature since plenty of lenses have no stabilized equivalent (such as bright short primes and fisheyes).

  • Pentax goes one step further by using a magnetically suspended sensor and lets it rotate as well as shift. This gives them the unique ability to automatically correct for camera tilt (up to 2 degrees) and they can also shift the sensor to change perspective right in the camera. The just-announced mirrorless Olympus OM-D E-M5 will also be able to rotate its sensor.

  • Partly due to their smaller lens lineups, Pentax and Olympus have a smaller foothold in the pro market and therefore have developed fewer very high-end features including high-speed autofocus and continuous drives. The only DSLRs to shoot at 10 FPS or more are from Canon and Nikon. High-end Canon and Nikon cameras have more autofocus points than those used by Pentax, Sony and Olympus. Sony is on the fence here as having the only full-frame cameras among the smaller three manufacturers and their SLT models do shoot faster than 10 FPS.

  • Pentax builds some of the toughest DSLRs around and have the only ones rated to work below freezing (down to -10C or 14F). They have also introduced weather-sealing in their mid-range DSLRs along with matching lenses. With the Canon and Nikon, you need to buy rather expensive cameras and quite expensive lenses to get a weather-sealed system.

  • There are also different design philosophies among all manufacturers which is partly due to their target audience but also part of their identities, meaning sometimes something is done differently just to be different, not to be better. For example, Nikon lenses and dials rotate in the opposite direction as all other brands (although the dial direction is reversible on mid-to-high end models).

  • Pentax has the easiest cameras to use and theirs work in a very thoughtful way. For example, when using the 2s or 3s-Remote timer, Pentax DSLRs automatically perform mirror-lockup (MLU) and disable image stabilization. This is exactly what is needed when working from a tripod and takes more steps to do in other systems.

  • Sony DSLRs tend to have fewer features. While covering all the basics, they tend to be less customizable. Olympus on the other hand provides a high-level of customization even in entry-level models.

There are certainly tons of other design and feature differences which will be more or less significant depending on the type of photography you do. Particularly when it comes to flash and studio work.

Answered by Itai

Saturday, January 7, 2012

Why does Picasa open RAW images correctly then desaturate them?

Question

I have an Olympus E-PL2 and am taking photos in raw. I have the codec downloaded from Olympus, so I can view the photo with Picasa in Windows, and it looks fine but a few seconds after loading the image, it goes and does something in which it looks like it desaturates the whole photo. What is going on? I know there are many posts asking 'what is a good raw viewer' but I'm looking more for a solution for Picasa if possible since I use it for all my photo management.

Answer

Sorry but you are confused. Picasa first shows you the JPEG preview that is embedded in RAW files.

It then loads the RAW data and lets it be converted by the codec. What you see then is the RAW file with default convertion.

In order to get something good from a RAW file, you have to work at it. IIRC there are questions here regarding matching the JPEG conversion and about why RAW files do not look so good by default.

Monday, December 19, 2011

Can an Olympus E20P take 8GB flash cards?

Question

I have an Olympus E20P camera that is about 10 years old, and the manual says it supports

3V (3.3V) SmartMedia: 4 MB, 8 MB, 16 MB, 32 MB, 64 MB, 128 MB;

CompactFlash (type I and II) Microdrive (CF + type II standard)

Right now I am using a CompactFlash/Microdrive 256MB, which seems to work.

Does anyone know if a 8GB CompactFlash or SmartMedia will work?

Answer

The E20 FAQ from Olympus says that CompactFlash-interface microdrives up to "1gig" are supported. That doesn't necessarily mean that bigger cards won't work, though — unlike SmartMedia, CF doesn't require device support for larger capacities, since there's a standard interface with "smarts" in the card itself. ("Smartmedia" is an Orwellian misnomer; it's the exact opposite — which is one of the reasons it failed to catch on.)

But, it's also very likely that there are other limits that prevent a card much larger than the expected to work. (For one thing, you may run into a limitation on FAT volume size.) You could chance it — it may work. Or you can get a 1GB card which will almost certaily be no problem.

Sunday, July 17, 2011

Are there reasons beyond weight and price to choose the Olympus 40-150mm over the 14-150mm?

Question

I'm curious whether there is any advantage in buying the 40-150 vs. the 14-150 lens. Both are f/4.0-5.6 and quality seems to be the same.

Is there any reason except weight and price for which one would choose the 40-150?

Answer

The 40-150mm is optically better and lets you open to F/4 at 40mm, while the 14-150mm is already F/5.6 by that focal-length, so you get more light in until you get close to the end of the zoom range.

For sharpness, it depends which side of the 40-150mm range you prefer. At 40mm, the 14-150mm is noticeably sharper than the 40-150mm. At 150mm, the 40-150mm is noticeably sharper. See sharpness samples at all F-stops here and here

Vignetting is terrible on the 14-150mm at both ends of the zoom, while moderate on the 40-150mm and only near the widest aperture. The 40-150mm lens also shows less distortion.

Saturday, July 16, 2011

Olympus XZ-1 or Lumix LX5?

Question

I wonder which one of the two cameras should I get. Here is one comparison. I've seen good photos on flickr using both cameras, so I'm not sure. People say that the Lumix's aperture is slower than the Olympus. EDIT: Also, is it possible on the Olympus to disable the bokkeh effect?

Answer

The bokeh is influenced by the aperture you choose. It is not an effect.

The wider the aperture you choose, the less depth-of-field you get which is what makes bokeh appear. With the Olympus you have more latitude to choose less depth-of-field but you can choose an equally large depth-of-field on both camera.

The Olympus ZX-1 is really nice and produce very good quality images for its class. It also handles very well because of its well-placed dials. I'd go for the ZX-1 except if ultra-wide-angle is very important for you.